You Can See Everything leads Clayface in two Halloween charts
The Numbers and Box Office Mojo now both place the documentary first. Their weekend gross amounts differ, so the current ranking and the reported totals need to be read separately.
Verified brief
The story in 60 seconds
Two domestic weekend charts reviewed November 2 place You Can See Everything ahead of Clayface. The Numbers lists $11,445,628 versus $11,000,000; Box Office Mojo lists $10,600,685 versus $10,400,000. The services agree on the order but not the amounts. These are attributed chart snapshots, not a reconciled final total.
This brief and the full story below are based on the disclosed sources. SearchTrends Daily’s interpretation appears later under “Our take.”
Full reporting
The complete story
You Can See Everything is first and Clayface second in both domestic Halloween-weekend charts reviewed on November 2. The amounts shown by the two services differ, making the reporting source part of the result.
The Numbers’ chart for the weekend beginning October 30 lists $11,445,628 for You Can See Everything and $11,000,000 for Clayface. The documentary’s lead within that chart is $445,628, calculated from those listed figures.
Box Office Mojo’s chart for October 30–November 1 lists $10,600,685 and $10,400,000 respectively. Those figures also put the documentary first, but they are different revenue snapshots. The reviewed pages do not establish the reason for the difference between services or provide one reconciled final amount.
This moves the story beyond Sunday’s competing studio claims. The Numbers’ November 1 report had attributed a $10.6 million projection to A24 and $10.4 million to Warner Bros., while reporting Warner Bros. claiming first place using its own estimate of the rival film. That Sunday dispute remains historical context, rather than the latest chart order.
A24’s official film page identifies Nathan Fielder and Lance Oppenheim as directors, an October 16 theatrical opening and a running time of two hours and 55 minutes. The documentary follows Elizabeth Holmes as a film crew records the period before her prison sentence and a project extending across three years.
Source perspectives
What other reporting adds
These are the reports, official records, and trend observations used to build the story. The note under each link explains exactly what it contributes.
November 1 Sunday-morning studio reports: A24 projects about $10.6m domestically for the documentary and Warner Bros. $10.4m for Clayface. The report attributes Warner Bros.’ competing No. 1 claim to its estimate of the rival film and says Monday’s actuals will settle the close domestic race. These remain projections.
Read original source ↗Boxoffice ProWeekend Preview: You Can See Everything Looking to Claim Top Spot Over Quiet Halloween FrameOctober 28 forecast provides release-week context and the Saturday Halloween effect; not evidence of final weekend revenue.
Read original source ↗A24You Can See Everything — official film pagePrimary source for directors, premise, running time and October 16 theatrical opening. Not a source for box-office rankings.
Read original source ↗The NumbersWeekend Domestic Box Office — October 30, 2026Live chart directly reviewed November 2: You Can See Everything $11,445,628, Clayface $11,000,000. Source-specific domestic weekend snapshot; not presented as a universally reconciled final amount.
Read original source ↗Box Office MojoDomestic 2026 Weekend 44 — October 30–November 1Live chart directly reviewed November 2: You Can See Everything $10,600,685, Clayface $10,400,000. Same first/second order as The Numbers, with different gross amounts.
Read original source ↗SearchTrends Daily opinion
Our take
Analysis
What the evidence and search signal suggest
Our assessment: agreement between the two reviewed charts supports a more specific ranking statement than Sunday’s competing studio projections did. It does not make their gross amounts identical. We report each service’s figures separately and do not label a single amount as the universally settled final result. Ticket receipts alone also cannot establish profit without costs and revenue shares.
Analysis and commentary are SearchTrends Daily’s interpretation. They are intentionally separated from the sourced account above.
Meaning
Why this matters
The latest reviewed charts agree on the two films’ positions, even though the reported receipts differ. A clear update needs to distinguish agreement on ranking from agreement on every dollar amount. Averaging the two services would create a new figure that neither source reports.
These are domestic weekend receipts. They are separate from cumulative domestic revenue, worldwide box office, admissions and profit.
Background
How we got here
The documentary was in its third weekend and Clayface in its second during the October 30–November 1 frame, according to Boxoffice Pro’s preview. The contest was between holdovers rather than two simultaneous openings. Its October 28 forecast also identified Saturday Halloween festivities as competition for cinema attendance.
Sunday’s estimates and the later chart snapshots describe different stages of reporting. The dated update record below preserves the earlier interpretation.
Outlook
What is likely to happen next
We will update this same page if the chart amounts materially change again or a distributor publishes information resolving the difference. Future revisions will keep the reporting date and source attached to the figures.
Image credit: SearchTrends Daily, original AI-generated editorial illustration of cinema seats, film equipment, blank tickets and a pumpkin. It provides symbolic Halloween box-office context and is not a film still or a photograph of an event.
A conditional editorial assessment based on the evidence available at the review date, not a guaranteed outcome.
Live record
Updates to this story
Two reviewed charts agree on ranking but show different grosses
The November 2 review adds current chart snapshots: The Numbers lists $11,445,628 for You Can See Everything and $11,000,000 for Clayface; Box Office Mojo lists $10,600,685 and $10,400,000. Both place the documentary first. We revised the headline, summary and analysis to distinguish the shared order from the differing amounts. Sunday’s competing studio projections remain dated historical context. No single reconciled final gross is claimed.
Sunday studio reports leave the domestic winner provisional
Updated November 1: The Numbers now attributes the $10.6m and $10.4m estimates to the respective studio reports, and says Warner Bros. still claims first place for Clayface using its own estimate for the competing documentary. We revised the headline, summary and analysis to explain why the two claims do not settle the ranking. Monday’s actuals remain the next check. Source: https://www.the-numbers.com/ (November 1 Sunday projections report).
Commentary
What we think
SearchTrends Daily opinion: a useful box-office update should show what changed and keep the source attached to each number. The first-place ranking is clearer in these two charts; the remaining difference in reported amounts still deserves to be visible.